It just might be. Similar third party options are likely coming for Sony, just not yet. The f/4 version has a minimum focus distance of 1-1.5m when focusing with the AF system and 1-1.35m when focusing manually. Sony FE 70-200mm f/2.8 GM OSS lens review   For full-frame shooters, a fixed f/2.8 aperture, 70-200mm zoom is an extremely popular lens for shooting sports, wildlife, reportage, events, weddings as well as portraits, making it a versatile and must-have lens for many pros. In real world shooting, the vignette is unlikely to detract from most images but you will want to correct landscapes. 1,378 posts Likes: 3096 Joined Aug 2012 Location: Shawnee, KS. The products in this post may contain affiliate links. Some people like to talk about great zoom lenses as having “prime like” sharpness and the Sony 70-200mm F/2.8 is certainly sharper than some bargain prime lenses, but it still can’t really quite match the best primes. With 61mp sensors coming to Sony cameras shortly after this review is published, all the more reason to look for lenses that can really maximize sharpness. This means that you can make manual adjustments once the AF has finished, without changing to manual mode. The 28-200mm F2.8-5.6 for Sony E-mount covers a broad range of focal lengths in a single lens, starting from 28mm at the wide-angle end to 200mm at the telephoto end. Sigma may be about to bolster its lens range with the launch of a new 70-200mm f/2.8 zoom, featuring a Sony E mount. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. I feel these mechanics may have been refined a bit better in more recent lenses. Finally, the Sony 70-200mm F/2.8 GM is equipped with optical steady shot which works in conjunction with the in-camera IBIS system of most Sony cameras. The zoom mechanics have a nice, tight feel, giving it some light resistance. Sony A7iii, Irix 15mm f2.4, Tamron 28-75mm f2.8, 85mm f1.4, Sony GM 70-200mm f2.8, Tamron 70-180mm f2.8. Internal zoom. The tripod collar feels solid and sturdy, and I rather like the detachable foot. But for most typical uses, most lenses are “sharp enough.” Still, many of us like to examine sharpness in close detail. I hold the lens by the tripod collar foot to balance it on the smaller body. The Sony 70-200mm F/2.8 GM is no exception to the generalization of hefty weight and price. Goldmember. Looking at the bokeh in context, it really is very very good for a zoom lens. This photo was also taken wide open at f/2.8! Unfortunately, I must share some anecdotal notes. In real world shooting, especially for portraits, the lens is perfectly sharp enough for 2.8 portraits. F2.8 is still perfectly satisfactory for portrait-type shooting but you are not getting the utmost critical sharpness. Color fringing is most often a problem at wide aperture while flare tends to worsen at smaller apertures. I’ll start with the foreground bokeh. Unlike many zoom lenses, the bokeh centers are free of onion-ring effects. We see the 200mm focal length being just a tad weaker again. If you’re shooting portraits, nobody is looking to see whether the corners are sharp. Vignetting is an issue with many Sony lenses but is simply not a significant problem in the Sony 70-200mm F/2.8 GM at 70mm. At the closer distance, I would say 2.8 is fully tack sharp. We definitely see some mild vignetting at 2.8 but it really isn’t severe and won’t impact most types of 2.8 shooting. Peak sharpness may be F4, but F2.8 is truly excellent as well. The Sony 70-200mm F2.8 G is one of the original group of lenses announced at the launch of the company's Alpha system in June 2006. At 42mp, a lens has to be really sharp to render well on this camera. My score is primarily for enthusiasts… Those who tend to shoot mostly for fun and self-fulfillment. Sony 70-200mm F2.8 GM compared to Sony 70-200mm F/4. It’s built like a tank. The 70-200mm F2.8 is a staple piece of kit for a lot of professional and advanced shooters. About Sony open. The behavior of the Sony 70-200mm F/2.8 GM is a bit difficult to describe in this regard. Tamron SP A001 70-200mm f/2.8 LD Di Lens For Nikon. We test from two distances. Everything here weighs in at a solid 1340g. At 2.8, it’s quite noticeable but still not totally detrimental. If you are shooting sports or wildlife, the extreme corners are simply not important parts of the frame. As of this writing, the price of the Sony 70-200mm F/2.8 GM is just under $2,600, making it more expensive than all but two of the current Sony camera bodies. At worst, it sometimes exhibits unpredictable flare. Maybe I just ran into bad luck but as I did some research I found others with questions and concerns about the mechanics of the lens. As a result, these lenses aren’t for everyone, typically for the professionals and well healed amateurs who really need a lens like this. It provides a good amount of extra stability at slower shutter speeds. I first used it at a Be Alpha event on a Sony A9 (some of the model shots in the samples came from that shoot). If you leave the lock button on the lens, you can shoot it as an 28mm f/2.8 prime and unlock it to become a flexible super zoom. 5 out of 5 stars (10) Total Ratings 10, $548.00 New. Overall, it wasn’t severe but it showed up a bit more than I expected. I then borrowed a copy, intending to test it for review. LIKES 3 LOG IN TO REPLY. For more casual shooters on the fence about whether they want/need a 70-200mm F/2.8, it might be advisable to put it on hold and see what Sigma and Tamron come out with over the next year or two. Right now there are no alternatives if you need an f/2.8 Sony telephoto lens, other than adapting the slightly cheaper Canon or Nikon counterparts. For a fast aperture zoom lens, this result isn’t bad at all. 2,304 posts Gallery: 621 photos Best ofs: 1 Likes: 4084 Joined Dec 2008 Location: Kansas City. Essentially, as a fast telephoto lens, it is most often used for portraits (due to the potential for compression and background separation), low light (as in events like weddings), and sports. I don’t shoot much at slow shutter speeds, since I am dealing with a lot of movement at events. Sigma 15mm F2.8 EX DG Diagonal Fisheye $609.00: Sigma 20mm F1.4 DG HSM | A $899.00: Sigma 24mm F1.4 DG HSM | A $849.00: Sigma 35mm F1.4 DG HSM | A $899.00 Nobody is looking to see whether the corners even at F2.8 Voted # 1 wedding Photogs by mom... -- - $ 25.00 such as the image has been lightly edited for some color and contrast from shooting. 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